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Showing posts from September, 2010

She Can Really Fly by Jay Raymond

She Can Really Fly 2010, Acrylic on Canvas 3x8 feet We have a Boxer dog named Leila, and I'm positive she imagines she's flying as she runs through the forest we live in. The crows that inhabit our trees made their way into this painting, since they're most likely the source of her fantasy. She's adopted them as part of her pack...or she's joining their flock. Either way, wings are beginning to materialize over her as the ground screams by. She can run and bound so athletically, I myself am beginning to imagine she's flying! This painting was recently accepted into a juried show at the Franklin Art Center in Brainerd, MN where it received rave reviews. This is a bit experimental for me in that I drew references from video footage I captured of my dog as she ran through a flooded ditch. Photographs are a traditional form of reference, but with new, inexpensive technology it is now possible to capture crisp, detailed images through the use of small ...

Amalgam by Jay Raymond

Amalgam 2010, Acrylic on Paper 18 by 24 inches For many years I've been interested in the play of positive and negative space. Small compositions of shapes have developed into interlocking masses in which all shapes have become positive, combined into a form within the rectangular space of the image. The exterior of the mass becomes the area of negative space. In this composition titled, "Amalgam", the mass of shapes seems to suggest a dancing figure on a stage. While it is really a non-objective piece, it could be characterized as abstract figurative. This is another example of how, sub-consciously, my abstract images quietly inherit some reference to either a figurative or landscape theme. In fact, I see in this image both, since there is a figure dancing on a stage, and the stage is floating in a space suggestive of sky. As a viewer you might not see these references. It really is in the eye of the beholder. Some personal experience might influence your unique ...