Skip to main content

Amalgam by Jay Raymond

Amalgam
2010, Acrylic on Paper
18 by 24 inches

For many years I've been interested in the play of positive and negative space. Small compositions of shapes have developed into interlocking masses in which all shapes have become positive, combined into a form within the rectangular space of the image. The exterior of the mass becomes the area of negative space.

In this composition titled, "Amalgam", the mass of shapes seems to suggest a dancing figure on a stage. While it is really a non-objective piece, it could be characterized as abstract figurative. This is another example of how, sub-consciously, my abstract images quietly inherit some reference to either a figurative or landscape theme. In fact, I see in this image both, since there is a figure dancing on a stage, and the stage is floating in a space suggestive of sky.

As a viewer you might not see these references. It really is in the eye of the beholder. Some personal experience might influence your unique perception of this image. It might evoke a memory of something as a certain cloud shape suggests to you an object of some kind. My goal was not to portray anything except the harmony and balance of shape within the story of positive and negative space. Color and texture provide notes of depth and emphasis.

This painting is available for purchase through my Etsy store.

Comments

Popular posts from this blog

Cloud Study

Cloud Study, 2013
Revelry, Jay Raymond, Oil on panel, 30 x 40 inches
To Fly, 2018, Digital Painting In my previous posting , I mentioned the many sketches I've created over the past several years that I've intended to develop into large paintings and sculpture. As I continue to experiment with ArtStudio and iPad as a digital painting tool, I'm finding that I'm able to quickly work out many possible variations on composition and explore color combinations. This is one of 16 versions of this theme. There are several I'd like to execute on canvas including monochromatic versions that I've not developed as digital paintings, but live in my head. I admire Frank Stella's work in the 80's where he was working out interpreting Moby Dick. His use of line and application of color was on my mind as I developed this version of the theme.